Welcome to my workshop!

Although I take my inspiration largely from the Old Masters, my approach is to try to get an understanding of their aims, intentions, reasons for doing things in a certain way, then evaluate and, in applying my own work ethics and time-honed working methods, create an original instrument. Uncompromising standards of craftsmanship, a strict code of work ethics and keeping an open and inquisitive mind were some of the attributes of the Heiligenberg School Of Making where I served a 4-year apprenticeship, and I try to uphold these principles

photographs are examples of my work and models might change without prior notice.

For this I use the finest figured sycamore or birdseye maple, offset against american walnut.

The companion

This is a plain and simple instrument made from a variety of woods, such as:
Ash, beech, cherry, oak or maple.